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♫ Nes­suna ombra ♫


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I enter the cor­ri­dor. It’s early in the morn­ing. I set up my tri­pod and mount the 360-degree cam­era on top. I don’t have much time, as the first tourists will soon be flock­ing into the Vasari Cor­ri­dor. How­ever, I need a shot with­out any peo​ple—and I will also remove myself, just like the shadow of the tri­pod, later from my panoramic photo. A sim­ple touch-up. What remains is a crys­tal-clear cap­ture of the Vasari Cor­ri­dor with its unique col­lec­tion of self-por­traits, allow­ing you to take your time look­ing around at every­thing. Whether you look up at the ceil­ing with its round lamps or down at the mag­nif­i­cent tiles beneath the cam­era, you will find no trace of the pho­tog­ra­pher: I will have dis­ap­peared, with­out leav­ing the slight­est trace.